01Teatro dell’Ego
The Theatre of Self
Selected work / 20
A musical phrase becomes a façade

Developed within the Teatro dell’Ego thesis, the stadium proposal reinterprets the western curve of Giuseppe Sinigaglia Stadium in Como. It restores the intended symmetry of the stadium and opens its frontage as a place to sit, meet and move between the theatre and the lakefront city.
The Brindisi theme from Giuseppe Verdi’s La Traviata guides the structural sequence. A 120-degree arc is divided into thirty four-degree intervals, defining thirty-one sections. The musical phrase informs the changing steel-column profiles and the bending walls beneath the stands. Original note-to-section studies, axonometries and the site plan show how music becomes an architectural relationship experienced through movement.
Design and research: Arch. Denislav Sokolov (Deniz Atasoy). Developed within Teatro dell’Ego at Politecnico di Milano, with academic guidance from Christina Pallini and Derya Erdim. Musical source: Giuseppe Verdi, La Traviata, Brindisi. Unbuilt thesis proposal.




Architectural drawings, models and visualisations are design representations; project status is stated separately.
Form follows music.
As you move through the space, corridor becomes feminine, you become the masculine.
Invisible light is hidden in d-archness that ego does not seek.